Avid's own DX hardware is still natively interfaced into the application which currently allows some extra features that Open IO is limited in LTC timecode support for example. It is expected that over time some of these missing APIs will be added. Starting with Media Composer 5. It also has analog video and audio outputs for monitoring. Matrox MXO2 Mini: While this interface does have input connections, only output is supported by Media Composer v5.
Discontinued hardware[ edit ] Avid Mojo DX: Avid Nitris DX: This interface also has a hardware DNxHD codec. Starting with Media Composer v5. With Media Composer v6. Discontinued Avid Mojo: There is an optional component video cable that can be added to this interface. This interface only supports SD video formats. Avid Mojo SDI: Avid Adrenaline: The DNxcel card uses Avid's DNxHD compression which is available in 8-bit color formats up to mb as well as a bit color format at mb.
Hardware history Media Composer as standalone software with optional hardware has only been available since June version 2. Before that, Media Composer was only available as a turnkey system. From until , Media Composer , and systems were Macintosh-only, and based on the NuVista videoboard by Truevision. The first-release Avids US supported x 30i video, at resolutions and compression identified by the prefix "AVR".
AVR12 was a two-field interlaced offline resolution. Additionally, Avid marketed the Media Composer and as offline-only editors. The video image was also improved to x This introduction was also the first version of Media Composer XL available for the Windows operating system. Many users were concerned that Avid would abandon the Mac platform, which they eventually did not do.
Media Composer XL versions 8 through Compression options were expressed in ratios for the first time in the evolution of the product. At this time, 16x9 aspect ratios began to be supported. Avid Media Composer Meridien was released through November, Avid products maintain compatibility with OMFI files.
Adrenaline was the first Media Composer system to support 24bit audio. It also meant the end of Film Composer and Media Composer Offline, since the Avid Media Composer Adrenaline featured most of the film options and online resolutions and features. In , Media Composer 2. Software-only Avid setups could use third-party breakout boxes, usually interfaced via Firewire , to acquire video from SDI and analog sources.
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